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Major Papers from 2007

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The selected sacred solo vocal motets of Claudio Monteverdi including Confitebor tibi, Domine, Kimberly Ann Roberts

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A performer's guide to the songs for soprano by the Austro-American composer Eric Zeisl (1905-1959), Katharina Roessner

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The formation of a style: selected early works by Hugo Wolf, Jure Rozman

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Liturgical expressions of a classical romantic: a choral conductor's investigation of selected sacred trebel chorus compositions by Josef Rheinberger, Natasia Sexton

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A taxonomy of the effects and affects of surface-level metric dissonance, Jennifer Rae Shirley

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A conductor's theoretical and performance analysis of Nicholas Maw's "American Games" for symphonic wind ensemble, Adam Corey Spurlin

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Brahms's Ein deutsches Requiem: dialectic and the chromatic middleground, Patrick Tuck

Theses from 2006

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The effect of music tempo on movement responses of preschool children, Melanie Woods Alexander

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The solo piano music of Andrzej Dutkiewicz, Christine Burczyk Allen

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Symphony III, Michael Berthelot

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Musical time and revealed timelessness, Michael Vincent Blandino

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Brazilian nationalistic elements in the Brasilianas of Osvaldo Lacerda, Maria Jose Bernardes Di Cavalcanti

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The violin concerto and its development in Bulgaria, Mario Dimitrov

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Compositional techniques in Thomas Kerr, Jr.'s Anguished American Easter, 1968 and their application to the theme of African American theology, Jane Fitz-Fitzharris

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Symphonic Revelations, Carlo Vincetti Frizzo

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A conductor's study of Ruth Watson Henderson's Voices of Earth, Ryan Jeffrey Hebert

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Semiotic modeling: relevance to trumpet performance and musical interpretation using Paul Hindemith's Sonata for Trumpet and Piano, Craig David Heinzen

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The choral music of Anthony Burgess and a conductor's study of four Anthony Burgess choral pieces, Randall L. Hooper

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Peter Christoskov's Twelve Caprices for Solo Violin, opus 1: a historical and theoretical analysis of the work and its connection to Bulgarian folk music, Borislava A. Iltcheva

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The French songs of Lee Hoiby, Scott LaGraff

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Formal convention in Verdi's Falstaff, Joseph Salvatore La Rosa

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Symphony No.1, Jessica Mahan

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Mindfulness meditation: creative musical performance through awareness, Sheri Oyan

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The transcription for two double basses of selections from Pièces de violes, Quatrème livre, Deuxiême partie: Suitte d'un Goût Etranger by Marin Marais, Yong Hao Pan

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The Musical Journey of Opera Singer Lenora Lafayette: A Louisiana Treasure, Kyla Dean Pitcher

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A performer's and conductor's analysis of Ingolf Dahl's for Alto Saxophone and Wind Orchestra, Christopher Scott Rettie

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Structural elegance and harmonic disparity in selected solos by jazz trumpeters Freddie Hubbard and Woody Shaw, Edward Rex Richardson

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The effects of contextual interference on the acquisition, retention, and transfer of a music motor skill among university musicians, Leslie Paige Rose

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An introduction to the music of Tania León and a conductor's analysis of Indígena, James Spinazzola

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Background conglomerates in Alkan's Quasi-Faust, op. 33, no. 2, Matthew James Steinbron

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Summary of lecture recital: Bright Sheng's selected chamber music for strings: two violin solos, and two string quartets, Mei-Mei Wei

Theses from 2005

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Rhetoric, form, and sovereignty in Schubert's "Prometheus," D. 674, Erica Brady Angert

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A catalogue of twentieth-century cello ensemble music, Ivan M. Antonov

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Concerto for orchestra, Alejandro Jose Arguello

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Erik Satie's ballet Parade: an arrangement for woodwind quintet and percussion with historical summary, Tracy A. Doyle

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Chorale and Canon in Alfred Schnittke's Fourth String Quartet, Aaminah Durrani

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Tonality and drama in Verdi's "La Traviata", David Bradley Easley

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An original composition, La Cosecha for orchestra, and La Clave: a cultural indentity, Rafael Enrique Gonzalez Bothwell

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An original composition, Symphony No. 1, and the realization of Western and Japanese influences in Takemitsu's November Steps, Charles Douglas Haarhues

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The music salon of Pauline Viardot: featuring her salon opera Cendrillon, Rachel Miller Harris

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The Violin Sonata of Amy Beach, Yu-Hsien Judy Hung

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The compositional style of Judith Lang Zaimont as found in Nattens Monolog (Night Solilquy), scena for soprano voice and piano with text by Dag Hammarskjöld, Joo Won Jun

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Gerald Finzi and John Ireland: a stylistic comparison of compositional approaches in the context of ten selected poems by Thomas Hardy, Richard Michael Jupin

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Interactive computer music: a performer's guide to issues surrounding Kyma with live clarinet input, Roland Anton Karnatz

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Three choral compositions by Alice Parker: a conductor's analysis of Songstream, Angels and Challengers, and Songs from "The Dragon Quilt", Jennifer Sue King

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Selected intermediate-level solo piano music of Enrique Granados: a pedagogical analysis, Harumi Kurihara

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A survey of the operettas of Emmerich Kálmán, Jessie Wright Martin

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A wind ensemble adaptation and conductor's analysis of selected movements of Darius Milhaud's Saudades do Brazil, with an examination of the influences of Ernesto Nazareth, Monty Roy Musgrave

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An introduction to the life and a cappella music of Sven-David Sandström and a conductor's prepatory guide to Etyd nr 4, som i e-moll and Laudamus Te, Karl Erik Nelson

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A conductor's study of Villa-Lobos's Magnificat-Alleluia and Bendita Sabedoria, Hoffmann Urquiza Pereira

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A conductor's analysis of Amaral Vieira's Stabat Mater, op.240: an approach between music and rhetoric, Vladimir A. Pereira Silva

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Concertino for Piano and Chamber Orchestra, by Mozart Camargo Guarnieri: a performing edition with reduction of the orchestra for second piano, Francisco Coelho Ribeiro da Silva

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Dragos Tanasescu's Treaties of Pianistic Technique, Lucian B. Zidaru

Dissertations from 2004

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The significance of selected piano compositions by Pancho Vladigerov, Boriana Kojouharova Buckles

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An original composition, Concerto for Piano and Orchestra, and an analysis of Camargo Guarnieri's Concerto No. 5 para Piano e Orquestra, Liduino Jose Pitombeira De Oliveira

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A practical guide to twentieth-century violin etudes with performance and theoretical analysis, Aaron Michael Farrell

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A historical approach to training the vocal registers: can ancient practice foster contemporary results?, Taylor Lee Ferranti

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Effects of practice strategies, metronome use, meter, hand, and musical function on dual-staved piano performance accuracy and practice time usage of undergraduate, Melody A. Hanberry

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Symphony No.1 - a Symphony of the Christ, James White Hellums, III

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An original composition Symphony No. 1 "Night Symphony" and an analysis of selected traditional and non-traditional elements of harmony in Credo by Krzvsztof Penderecki, Aaron Edward Johnson

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A study of the Quintet for Piano and Strings by Richard Danielpour, Myung Jin Kuh

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A basic interpretative analysis of instrumental music education majors' approaches to score study in varying musical contexts, Jeremy S. Lane

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The influence of Bulgarian folk music on Petar Christoskov's Suites and Rhapsodies for solo violin, Blagomira Paskaleva Lipari

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An analysis of György Ligeti's Nonsense Madrigals, Dennis Malfatti

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An analytical study of Concerto for Piano and Orchestra, Op.13, by Costa Rican composer Carolos Enrique Vargas, Manuel Matarrita

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An introduction for the singer to the solo vocal works of Nigel Butterley with particular emphasis on his works between 1976 and 2003, Alison Rosemary McCubbin

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An original work: "Brothers and Sisters" and Songs from Letters by Libby Larsen : an analysis, Andrea J. Mitternight

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Compelled to compose: an introduction to the life and music of Paul Basler , with a conductor's analysis of Missa Kenya, Gary Packwood

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An original composition, Symphony No. 1, Pollock and an analysis of the evolution of Frank Zappa's "Be-Bop Tango", William Morris Price

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The organ works of Fela Sowande: a Nigerian organist-composer, Godwin Simeon Sadoh

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The style of meditation: a conductor's analysis of selected motets by Rihards Dubra, Kevin Doyle Smith

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American Verismo?: insights into The Padrone, and opera by George Whitefield Chadwick (13 November 1854 - 4 April 1931), Jon Steffen Truitt

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A performer's guide to Virgil Thomson's Five Songs from William Blake, Andrew David Whitfield

Dissertations from 2003

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A performance edition of the opera Kaspar der Fagottist by Wenzel Müller (1767-1835), as arranged for Harmonie by Georg Druschetzky (1745-1819), Susan Nita Barber

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Matthaeus Pipelare's "Fors seulement chanson (II)" and its related motet and mass performance editions and commentary, George H. Black, Jr.

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Miriam Gideon's cantata, The Habitable Earth: a conductor's analysis, Stella Panayotova Bonilla

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A structured content analysis of five contemporary etude books for the violin, Michael Kim Buckles

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The role of Turkish percussion in the history and development of the orchestral percussion section, D. Doran Bugg

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Frank Ferko's The Hildegard motets: a conductor's preparatory guide, David Neil Childs

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A performer's guide to multimedia compositions for clarinet and visuals: a tutorial focusing on works by Joel Chabade, Merrill Ellis, William O. Smith, and Reynold Weidenaar., Mary Alice Druhan

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Erwin Schulhoff (1884-1942) - a brief history: examination of the sonata for violin and piano (WV91), Eka Gogichashvili

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The correlation between college students' familiarity with potentially offensive popular music and self-reported tolerance of obscene language and sexual behavior, Harry Emons Martin

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The solo style of jazz clarinetist Johnny Dodds: 1923 - 1938, Patricia A. Martin

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An old form newly clothed: exploration and conductor's analyses of Morten Lauridsen's Madrigali: Six "Fire-Songs" on Italian Renaissance Poems, C. Leonard Raybon, Jr.

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The use of the cornet in the operettas of Gilbert and Sullivan, John Christopher Schuesselin

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A study and an approach to historical performance practices in the French Baroque based on François Couperin's Treiziéme Concert à 2 instrumens à L'unisson, James Jeffery Womack

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Developing a four-mallet marimba technique featuring the alternation of mallets in each hand for linear passages and the application of this technique to transcriptions of selected keyboard works by J.S. Bach, Thomas Allen Zirkle

Dissertations from 2002

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A model for evaluation of selected compositions for unaccompanied solo trumpet according to criteria of serious artistic merit, Michael Craig Bellinger

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The effects of singing on blood pressure in classically trained singers, Kimberly Jaye Broadwater

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Text and structure in Schoenberg's Op. 50, and an original composition, symphony #1, Thomas, Jr. Michael Couvillon

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A catalogue of twentieth-century Spanish music for cello and piano, Gabriel Delgado Morán

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Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula, Melissa Ursula Dawn Goldsmith

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The effects of Internet guided practice with aural modeling on the sight-singing accuracy of elementary education majors, Jessica L. Hall

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Paradise: in a dream, Jonathan Beresford Horrocks

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"The Neumeister collection of chorale preludes of the Bach circle": an examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works, Sara Ann Jones

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A conductor's study of George Rochberg's three psalm settings, David Lawrence

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Piano teaching philosophies and influences on pianism at the Central Conservatory of Music in Beijing, China, Chi Lin

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The works of Manuel Quiroga: a catalogue, Ana Luque Fernandez

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A stylistic and analytical study of Concerto No.2 for Piano and Orchestra, Op.33, by Lee Hoiby, Ji-Won Mun

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Crossover considerations: performing three works by Ludmila Ulehla, Phil Woods and Bill Dobbins, John M. Perrine