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Dissertations from 2015

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Costa Rican Composer Luis Diego Herra and His Symphony I An Annotated Edition, Norman Armando Gamboa

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A Conductor’s Analysis of Almeida Prado’s Passion of Our Lord Jesus Christ According to Saint Mark, Cléusia Carreira Gonçalves

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Bratya, A Symphonic Poem, Tamyka Rochelle Jordon

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The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014, Ashley Kelly

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Alexander Moyzes and His Piano Sonata in the Context of Slovak Music Between the Wars, Ivan Koska

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Homenaje a García Lorca, A Conductor’s Approach, Alejandro Artemio Larumbe Martínez

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Concerto for Violoncello and Orchestra, Xing Li

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Thomas Davis, The Nation, and Songs of Irish Nationalism, Timothy Mason Love

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The Journeys of Humboldt: A Guide to Efrain Oscher’s Composition for Orchestra, Bernardo Virgilio Miethe

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Olivier Messiaen's Influence in the Violoncello Works of Toru Takemitsu, Susannah Violet Montandon

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A Model of the Tonal-Chromatic System and Its Application to Selected Works of Gustav Mahler, Andrew David Nicolette

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Symphony No. 1, William Earl Novak

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Southeast Asian Youth Chamber Orchestra (SEAYCO): A Musical Bridge within the Southeast Asian Region, Paraschos Paraschoudis

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For the Sake of St. Cecilia: Analysis and Re-Orchestration of Gerald Finzi's For St. Cecilia, Op. 30, Christopher Brent Rosborough

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Musical Explorations in Creation and Performance: A School's Alternative Approach to Music Education, LaTerence Edward Varnado

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A Performer's Guide to Richard Danielpour's A Woman's Life, Carline Waugh

Dissertations from 2014

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The Good Friday Cantatas of Christoph Graupner (1683-1760), Marius Bahnean

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A Performance Guide to "Five Musings on the Past" by Elisenda Fábregas for Soprano and Piano, Megan Elizabeth Barrera

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"Music Down in My Soul:" Achieving a Sound Ideal for Moses Hogan Spirituals, Loneka Wilkinson Battiste

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Conducting Elgar's Wand of Youth suites : programming possibilities and perspectives on performance, Vaughn Aristides Cardona

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Symphony No. 1: On the Creation and Chromaticism and Harmony in Henry Purcell's Sacred Music, Joshua Adam Carver

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Roque Cordero Soliloquio No. 6 and Sonata for Cello and Piano: Structure and Analysis, Isaac Miguel Casal R.

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The Life and Work of Mark Jacobi: Clarinet Repair in Philadelphia and the Influence of Hans Moennig, John Anthony Coppa

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Bells in tower at evening toll : a performer's guide to the songs of David P. Rossow on the texts of William Shakespeare and A. E. Housman for baritone voice and piano, Matthew Joseph Daniels

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Wolf's Spanisches Liederbuch: The Story of Redemption, Michael Stanley Durham, Jr.

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An introduction to the piano music of Manuel M. Ponce, Luis Francisco Gaytan

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Human Perception of Piano Timbre Variations Relative to the Piano's Dynamic Range, Pitagoras Goncalves

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Tonal and topical coherence in Brahms's op.10 ballades, Jacob Joel Gran

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Music, action, and narrative in film : an energetic and gestural approach to film score analysis, Zachary Hazelwood

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Concerto for Laptop Ensemble and Orchestra: The Ship of Theseus and Problems of Performance for Electronics With Orchestra: Taxonomy and Nomenclature, Jonathan Corey Knoll

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Supporting your instrument in a body-friendly manner : a comparative approach, Emanuela Maria Lacraru

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Fantini and Frescobaldi in Rome, Circa 1634: A Study of Context and Practice, Shelby Allen Lewis

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Joseph Joachim Raff: A Biographical Sketch and a Conductor's Analysis of his Sinfonietta, Op. 188, James Fuller Lyon IV

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A Performance Guide To Jake Heggie's From 'The Book of Nightmares', Kristen Bauer Marchiafava

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A Great Korean Music Pioneer Min-Chong Park: A Performance Guide of His Selected Violin Works, Sin Myung Min

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You are set free, Jennifer Leigh Mitchell

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The magic nesting doll, Michael Paul Mitchell

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A historical and theoretical look at the percussion ensemble work 'October Mountain' by Alan Hovhaness, Joe Willie Moore III

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Audio-Based Visualization of Expressive Body Movements in Music Performance: An Evaluation of Methodology in Three Electroacoustic Compositions, Yeamin Oh

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A Forgotten Composer and His Music: Two Viola Compositions by Arends, Monica Pamela Rodriguez de la Hoz

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Analysis and expressive performance : four selected works by Chopin, Timothy David Saeed

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Alberto Ginastera's Twelve American Preludes : descriptive analysis and performer's guide, Alejandra Saez

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A Perfomance Guide to Anthony Brandt's Creeley Songs, Penny Reid Shumate

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The World of Tan Dun: The Central Importance of Eight Memories in Watercolor, Op. 1, Lin Tian

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An analysis of "Printemps d'amour" (op.40) and "L'Union" (op,48): two programmatic piano solos by Louis Moreau Gottschalk, Sam Vaden

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Poised between two worlds : Nikolai Kapustin's Piano Sonata No. 1 and the classical and jazz tradition, Kit Loong Yee

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Clarinet Thumb-rest Function: The Pedagogy of Positioning and Electromyography Evidence, Kathryn Elise Young

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A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory, Rafal Zyskowski

Dissertations from 2013

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Toward a redefinition of musical learning in the saxophone studios of Argentina, Mauricio Gabriel Aguero

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Interactive Musical Partner: A System for Human/Computer Duo Improvisations, Jeffrey Vernon Albert

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"Cinematic Suite for Orchestra" and notable composers in the evolution of film music from Hollywood's golden age to the present, Edward C. Anderson

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Musical achievement and attitude of beginning piano students in a synchronous videoconferencing lesson environment, Rebecca Carter Bellelo

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"It's easier if you have a system" : analysis and applications of the Milanov violin method, Paula Farias Bujes

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The musical life of Carmen Petra-Basacopol and her various contributions to the harp literature, Gabriela Chihaescu

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Sicong Ma's Amei Suite & Gaoshan Suite : historical background and performer's guide, Ming-Ying Chiu

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When the mouse meets the elephant : a manual for string bass players with application of the philosophy and principles of the F. M. Alexander Technique, Yun-Chieh Chou

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Tyzen Hsiao's Memories of Home as a pedagogical tool to introduce Romantic and Impressionistic styles to intermediate piano students, Pei-Hsuan Chung

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Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony, David Paul Cortello

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An original composition, "...And It Was Good For Orchestra" and a new century, a new audience : concert music's evolution into pop and the music producer as maestro, Matthew David Evancho

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Explicit Instruction in Self-Regulatory Skills and Deliberate Practice, Kimberly Joy Gedde

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Peter Klatzow's Six Concert Etudes for Marimba : a performer's guide, Daniel Brian Heagney

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Harmony, voice leading, and drama in three Sondheim musicals, Adam M. Hudlow

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Walter Burle Marx's cello concerto, Pedro Augusto Huff

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A performance guide to Jean-Yves Malmasson's Opus 6 : Trois poémes de Charles Baudelaire and Opus 30: Les fleurs du désir, Zuly Elizabeth Inirio

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Songs without words : the forgotten piano works on Nadine Dana Suesse, Sarah Jane Johnson

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Moonlight Sprite, Sungho Kim

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Practical performance considerations for the Andante con moto of Beethoven's Piano Concerto in G Major, Op. 58, Young Eun Kim

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Investigating "experimentalism" : a case study of the tuba and its repertoire, Andrew Brian Larson

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Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead, Cheng-Yin Lin

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An examination of middle school band students' ability to match pitch following short-term vocal technique training, Abby Bush Lyons

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Max Neuhaus and the musical avant-garde, Megan Elizabeth Murph

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Transcription and analysis of Ravi Shankar's Morning Love for Western flute, sitar, tabla and tanpura, Bethany Padgett

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Zoltán Kodály's Sonata for Unaccompanied Cello, Op. 8 : one cellist's path to performance, Celeste Power

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The seven last words of Christ : a comparison of three French romantic musical settings by Gounod, Franck, and Dubois, Vaughn Roste

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An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor, Samuel Howard Stokes

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The effect of real-time pitch tracking and correction on high school instrumentalists' tuning accuracy, Kathryn Elizabeth Strickland

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Background, analysis, and performance guide for Edison Denisov's Sonata for flute and piano, Esther June Waite

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Scriabin's transpositional wills : a diachronic approach to Alexander Scriabin's late piano miniatures (1910-1915), Jeffrey Yunek

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A performer's guide to John Corigliano's Mr Tambourine Man - Seven Poems to text by Bob Dylan, Jovan Zivkovic

Theses from 2012

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A study of children's musical play at the Little Gym, Alison Elaine Alexander

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A permutational triadic approach to jazz harmony and the chord/scale relationship, John Bishop

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Chinese piano music: an approach to performance, Xi Chen

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Direction of mistuning, magnitude of cent deviation, and timbre as factors in musicians' pitch discrimination in simultaneous and sequential listening conditions, Norman Alan Clark

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The unaccompanied choral works of Vytautas Miškinis with texts by Rabindranoth Tagore: a resource guide, Nicholaus B. Cummins

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Preparing a world premiere: a conductor's analysis of Ronaldo Cadeu's "Crime and Punishment: one act ballet", Raul Gomez Rojas

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Applicability of periodization to orchestral audition preparation on trombone: a case study, Christopher Evan Green

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Two sides of the ancient vase: eastern and western principles in the works of Keiko Abe, Christopher K. Hoefer

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A performance guide to Leonard Lehrman's A Light in the Darkness, Timothy Adam Holcomb

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The solo string works of J. S. Bach: the relationship between dance and musical elements, Chung-Hui Hsu

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Three case studies in twentieth-century performance practice, Tina Huettenrauch

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Dialogues, dysfunctional transitions, and embodied plot schemas: (Re) considering form in Chopin's sonatas and ballades, Jonathan Edward Mitchell

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Hidden music: vowel formant theory and the languages of Verdi's Don Carolos, Justin Andrew Owen

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William Blayney - clarinetist and teacher, contributions and influences on clarinet playing in the twenty-first century, Branko Pavlovski

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The role of music-making in the identity construction of members of an adult community concert band, Pamela G. Taylor

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A church musician's resource guide to the available resources from the Choral Public Domain Library for the Liturgical Year A, Michael John Trotta

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Moonlight Shadows and Night Thoughts (Symphony No. 1) and an analysis of Qigang Chen's Extase II, Wennan Wang

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A performer's guide to Stephen Paulus' Mad Book, Shadow Book: Songs of Michael Morley, Jin Hin Yap

Dissertations from 2011

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The effect of in-school opera performance and related curriculum on music cognition and attitude, Sara Harris Baker

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The evolution of the tuba quartet and its repertoire, Bradley Bryant Boone

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A Survey of Rudy Davenport's BYNA: Life Songs of a Southern Appalachian Woman of Cherokee Indian Descent (A Chamber Work for Soprano, Piano, Oboe and Cello), Tiffany I. Bostic-Brown