Master of Arts (MA)
Geography and Anthropology
Drag queening men, typically gay men who perform femininities for entertainment, use makeup, padding, injections and other tools to change their bodies for performance. I focus on the backstage activities of drag performers in Baton Rouge, Louisiana, rather than conventional observations from the audience, to explore the negotiation, construction and implications of these bodies, both physically and discursively. Through autoethnographic accounts and participating in my own drag performance, I highlight the often unseen, less frequently discussed aspects of drag queening in order to lessen the distance between the efforts of performers and the stage. Drag queening men’s bodies are a queer assemblage that contests the heteronormativity of the male body. Drag performer’s corporeal crafting suggests the body is a multitude of coexisting processes that can be transgressive, but may still reify racist structures and heteronormative gender politics they seek to combat.
Document Availability at the Time of Submission
Release the entire work immediately for access worldwide.
Siebenkittel, Ray, "Glue Sticks and Gaffs: Disassembling the Drag Queening Body" (2016). LSU Master's Theses. 913.