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Dissertations from 2016

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Professional Wrestling: Local Performance History, Global Performance Praxis, Neal Anderson Hebert

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Cuban Routes of Avant-Garde Theatre: Havana, New York, Miami, 1965-1991., Eric Mayer-Garcia

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Nightmares are Dreams, Too, Camilla Meg Morrison

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Violent Conventions: An Analysis of the Unintended Aesthetics of On-Stage Accidents, Jeremy Matthew Reynolds

Theses from 2015

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Missing. . . A Story of Ambiguous Loss, Ashley Nicole Adams

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Augmented Renaissance: From Creation to Revelation, Christopher Atkinson

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A Cleansing Breath: A Journey of Creation on the Hard Road, Addie Leigh Barnhart

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Reupholstery: A Guide for Prop Masters, Kathryn Leigh Brittingham

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Ages of [Wo]Man, Amanda Jane Clark

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Props Management in Professional and Educational Institutions, Matthew David Duvall

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The Creation and Reflection of a Solo Show: Corner of 26 and Lost, Margaret McGurn

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Lucky Charms, Timothy James Moriarty

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Prisoner in the Darkness, Joseph Lee Morris

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Joan: A Play With Broken Songs, Colton James Neidhardt

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Theatre Safety in Louisiana Secondary Schools: A Survey Study, Christopher Pyfrom

Theses from 2013

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The creation of "Behind the Vote," a one-person play, Jennifer E. Ballard

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From thin air : the creation of a new American musical, Jason Bayle

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The creation of "Habitat Five: The Children's Crusade" a solo play, Katrina Michelle Despain

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Restoring performance : personal story, place, and memory in post-Katrina New Orleans, Anne-Liese Juge Fox

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The creative development of the one-person play, "Turkey Boys," a production thesis in acting, Nicholas Andrew Hamel

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Bear with me : signs are tricksters, and reality is invisible to the naked eye: a one-person play, Chia-Wen Hsu

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Indians and onions : an exploration of the creation of "Curry Bowl" a one-person play, Rani Jessica Jain

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The tyrants within us and the thread of history : the creation of "Sic Semper Tyrannis," a one-person play, Benjamin Todd Koucherik

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The creation of "A Single Revolution of the Sun," a one-person play, Gregory Alan Leute

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Tensions between abstraction and replication in early-twentieth-century design : Norman Bel Geddes' designs for Broadway's The Miracle, John Thomas-Hood Mabry

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The creation of "Voices in My Head," a one-man show, Anthony Michael McMurray

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The creation of "Trash the Dress" : a solo play, Kristina Sutton

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Faced with faces, Donald E. Watkins

Dissertations from 2012

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New Orleans Center for Creative Arts: a history in progress, Suzanne Michelle Blanchard Chambliss

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Projected performances: the phenomenology of hybrid theater, David Edward Coley

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Perception, power, plays, and print: Charles II and the restoration theatre of consensus, Christopher William Nelson

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Ballplayer, an addiction story: a production thesis of a solo performance piece, Nickolas Ian Rhoton

Dissertations from 2011

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Process as product: the culture of development and the twenty-first century American dramatist, John Patrick Bray

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Finding inspiration in Invitation to a Beheading: a thesis on the creation and development of a one-person play, Joshua Ryan Dawes

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Torture and fear as tools for maintaining power in The Germophobe: a thesis on creating a one-man show from the author-actor himself, Alexander Stephen Galick

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Modern myth in performance: claiming identity through a reading of fantasy withcraft, Jessica Satterwhite Gray

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The creation of "Echolalia: a Conversation" a production thesis in acting, Olga Michele Guidry

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Myth, method and masturbation: the hysteria of woman's sexuality, a one-person play, Josephine Hall

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(Im)possibilities of Theatre and Transgression: the critical impact of transgressive theatrical practices, Christopher J. Krejci

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"Baby, dream your dream": Pearl Bailey, Hello, Dolly!, and the negotiation of race in commerical American musical theatre, Charles Eliot Mehler

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An aloha state of mind: performing Hawaiian cultural identities, Kirsten E. Ogden

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Regarding Westernization in Central Africa: Hybridity in the Works of Three Chadian Playwrights, Enoch Reounodji

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Permission to perform: a waltz with Zelda, Sarah E. Smith

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Spectacle, pageantry, and parading, Whitney Whetstone

Theses from 2010

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Costume crafts an exploration through production experience, Michelle L. Hathaway

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The dialogism of self and other in contemporary American drama, Shih-Yi Huang

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The Royal Family costume design, Katherine Johnson

Theses from 2009

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The role of Fabiana Aziza Cunningham in Stephen Adly Guirgis' The Last Days of Judas Iscariot: a production thesis in acting, Leigh-Erin Balmer

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The role of Yusef Akbar Azziz Al-Nassar Gamel El-Fayoumy and the construction of specific relationships in the play The Last Days of Judas Iscariot by Stephen Adly Guirgis, Kaluhath Kenneth De Abrew

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Jewish identity on the stage: the roles of Saint Matthew and Caiaphas the Elder in Stephen Adly Guirsis's' The Last Days of Judas Iscariot, Andrew Paul Fafoutakis

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A humanistic view of Satan: the role of Satan in Stephen Adly Guirgis' The Last Days of Judas Iscariot, Yohance Myles

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The role of Judas Iscariot in Stephen Adly Guirgis' The Last Days of Judas Iscariot: a production thesis in acting and the actor director relationship, Scott Matthew Woltz

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The role of Nina in Diana Son's Satellites: a production thesis in acting, Jessica Wu

Dissertations from 2008

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The gallant six hundred: performing the Light Brigade into a heroic icon, Elizabeth Carrick Cawns

Theses from 2007

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From Rwanda to the stage: a production thesis in acting, Kesha S. Bullard

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The role of the merchant in Bertolt Brecht's The Exception and the Rule: a production thesis in acting, Mark Jaynes

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The role of Hermes et.al. in Mary Zimmerman's Metamorphoses: a production thesis in acting, Reuben Mitchell

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The role of Tennessee Williams in Tennessee Williams in QUARTER Time, adapted by John Dennis: a production thesis in acting, Derek Mudd

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The implantation of Western theatre in Korea: Hong Hae-sǒng (1894-1957), Korea's first director, Saejoon Oh

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Playing the Third Man (Midas' Servant, Ceyx, Morpheus as Ceyx, Orpheus, Apollo, A, Philemon) in Mary Zimmerman's Metamorphoses: a production thesis, Ronald Ludlow Reeder

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The roles of Scientist, Narrator, Mother, Pandora, Nursemaid, Therapist, and Baucis in Mary Zimmerman's Metamorphoses: a production thesis in acting, Anna Loft Richardson

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Peforming Louisiana: the history of Cajun dialect humor and its impact on the Cajun cultural identity, Debrah Royer Richardson

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The role of Olympia in Charles Mee's Big Love: a production thesis in acting, Elizabeth Nicole Travis

Dissertations from 2006

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Stage(d) mothers: mother-daughter tropes in Twentieth-Century American drama, Kristin Hanson

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Green Theatre: proto-environmental drama and the performance of ecological values in contemporary Western theatre, Kurt Gerard Heinlein

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The other side of the tracks: railroads, race, and the performance of unity in nineteenth-century American entertainment, Elissa Sartwell

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Performing citizenship: tensions in the creation of the citizen image on stage and screen, John William Wright

Theses from 2005

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The role of Calisto/Clindor/Theogenes in Tony Kushner's adaptation of The Illusion by Pierre Corneille a production thesis in acting, Preston E. Davis

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Recovering ancient ritual and the theatre of the Apache: a journey through the false consciousness of Western theatre history, Marla Kathleen Dean

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The role of Matamore in Tony Kushner's adaptation of The Illusion: a production thesis in acting, Shawn Halliday

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The role of Pridamant in Tony Kushner's adaptation of The Illusion: a production thesis in acting, Brace Easton Harris

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The roles of Elicia/Lyse/Clarina in Tony Kushner's The Illusion: a production thesis in acting, Sarah Jane Johnson

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The role of Sylvester Brown in August Wilson's Ma' Rainey's Black Bottom: a production thesis in acting, Eric Jerard Little

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The role of Lady Macbeth in Shakespeare's Macbeth: a production thesis in acting, Taralyn Adele MacMullen

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The roles of Melibea/Isabelle/Hippolyta in Tony Kushner's adaptation of The Illusion: a production thesis in acting, Michelle Elain McCoy

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Public sexuality: a contemporary history of gay images and identity, Shaun Erwin Sewell

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An exploration of the roles of Pleribo, Adraste, and Prince Florilame in Tony Kushner's adaptation of The Illusion: a production thesis in acting, Chaney K. Tullos

Dissertations from 2004

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The contributions of Floyd Leslie Sandle to black educational theatre in Louisiana, Ava Marie Brewster-Turner

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Of Holes and Historitivity. Excavating the Ruins of History and Mining With Memory: A Performance Paradigm., Gino S. Chelakis

Dissertations from 2003

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Contesting for power in public performance: hegemonic struggles in the Louisiana Shrimp and Petroleum Festival, Allen Alford

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The role of Killer Joe in Tracy Letts' Killer Joe: a production thesis in acting, Christopher C. Cariker

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The novelty of improvisation: towards a genre of embodied spontaneity, David Alfred Charles

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Dashiki Project Theatre: black identity and beyond, Stanley R. Coleman

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A vivid exploration of Shakespeare's Silvia in The Two Gentlemen of Verona: an MFA production thesis in acting, Debbie A. Fleming

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The role of Proteus in William Shakespeare's The Two Gentlemen of Verona: a production thesis in acting, Adam B. Hose

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The role of speed in Shakespeare's The Two Gentlemen of Verona: a production thesis in acting, Jennifer Nicole Kelley

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The role of Dottie in Tracy Letts' Killer Joe: a production thesis in acting, Elizabeth Jane King

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Beyond boundaries: political dictates found in minstrelsy, Florence Lyons-Fontenot

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The role of Ansel in Tracy Letts' Killer Joe: a production thesis in acting, Ronald William Smith

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The history of Russian vaudeville from 1800 to 1850, Alexander V. Tselebrovski

Dissertations from 2002

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Neo-onnagata: professional cross-dressed actors and their roles on the contemporary Japanese stage, William Hamilton Armstrong IV

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Performing hyphenates: a study in contemporary Irish-American identity and cultural performance, Patrick Michael Bynane

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The Threepenny Opera: designing lights with Brecht a production thesis in theatre design and technology, Brent Landry Glenn

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Directing The Threepenny Opera, Alexander G. Harrington

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A scenic design process for The Chemistry of Change: a production thesis in theatre design and technology, Stephen E. Haynes

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The sound of meaning: theories of voice in twentieth-century thought and performance, Andrew McComb Kimbrough

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Nicholas Rowe's writing of woman as feminist hero, Henry Herbert Sennett Jr.

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Harper Lee's To Kill a Mockingbird as adapted by Christopher Sergel: a thesis in directing, Andrew Vastine Stabler

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Subversive aspects of American musical theatre, Donald Elgan Whittaker III

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The Chemistry of Change: a production thesis in directing, Anthony Greenleaf Winkler