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Theses/Dissertations from 2016

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Four Corners: Concerto for Marimba and Orchestra and Carl Nielsen: An Analysis of His Late Symphonies: (Symphony 4-6), Timothy James Beattie

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Music in Virtual Space: Theories and Techniques for Sound Spatialization and Virtual Reality-Based Stage Performance, Zachary Andrew Berkowitz

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Character Studies of Time: A Two Movement Work for Orchestra, Crystal Darcell Birdsong

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Developing a Mathematically Informed Approach to Musical Narrative through the Analysis of Three Twentieth-Century Monophonic Woodwind Works, Wesley James Bradford

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On the Use and Development of the Pentatonic Scale Through the Works of Antonín Dvořák, Andrew W. Brinkman

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A Critical Examination of the Rehearsal Frame Model, Allison Elise Carroll

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Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences, Nicholas Vincent DiSalvio

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“A Voice, A Messenger” by Aaron Jay Kernis: A Performer's Guide and Historical Analysis, Pagean Marie DiSalvio

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A Performance Guide to Etüden für Flöte(n) solo by Isang Yun, Brian Dunbar

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The Representation of Disability in the Music of Alfred Hitchcock Films, John T. Dunn

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Ben Moore's "Dear Theo," For Tenor Voice and Piano: A Performer's Guide, Gregory Michael Gallagher

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String Quartets by Revueltas: In Search of a Critical Edition in "Musica de Feria", Rafael Galvan-Herrera

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What Made You Hear That? An Examination of the Rehearsal Listening of Accomplished School-Based Music Conductors, Kelvin Deangelo Jones

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Understanding of Authentic Performance Practice in Bright Sheng's "Seven Tunes Heard in China" for Solo Cello, Chiao-Hsuan Kang

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From Distant Shores, Jamie Laurance Phillips

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A Performance Guide for Thomas Pasatieri's Bel Canto Songs for Voice and Piano, Amy Robin Porter

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Musicianship in Beginning Level String Pedagogy: A Content Analysis of Class Method Books, Laurie Rominger

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Effects of Pitch and Rhythm Priming Tasks on Accuracy and Fluency during Sight-reading, Christine Renee Russell

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East Meets West: A Musical Analysis of Chinese Sights and Sounds, by Yuankai Bao, Jiazi Shi

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McLuhan.js: Live Net Art Performance with Remote Web Browsers, Benjamin Francis Taylor

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Tracing the Development of Willie Stark and Its Place in American Opera, Betsy Marie Uschkrat

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A Background, Analysis, and Performance Guide for Eugene Goossens's Concerto in One Movement for Oboe and Orchestra, Grace Ellen Woodworth

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Zhenfang Zhao’s Widow Xianglin [xianglin sao] and New Directions in Modern Huai Opera, Yuxi Zhao

Theses/Dissertations from 2015

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Dmitri Kabalevsky: A Pedagogical Analysis of Five Sets of Variations, Op. 51 and Easy Variations, Op. 40, Patrick Collin Bachmann

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The Stylistic Variance and Underlying Unity in Selected Organ Works by Clarence Mader, Jacob Richard Benda

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High School Musicians' and Non-musicians' Listening Preference for Authentic Versus Transcribed Musical Excerpts, Colin Douglas Caldarera

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Ernst Mahle: A Pedagogical Edition of His Four Concertinos for Piano and Orchestra, Joao Paulo Casarotti

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A Performer's Guide to Ivor Gurney's The Western Playland (and of Sorrow), Ridley Chauvin

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The Saxophone in Puerto Rico: History and Annotated Bibliography of Selected Works, Marcos David Colón-Martín

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A Performer's Guide to Sergei Lyapunov's Concerto for Piano and Orchestra No.1, Op.4, Irina Cunev

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Straight Ahead: The Life, Pedagogy, and Influence of Dennis L. Schneider, Louie Colton Sperry Eckhardt

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Evidence of Pedagogical Content Knowledge Among High School Band Directors and University Applied Music Teachers in the Context of Student Self-Evaluation, Danielle Jeanette Emerich

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Costa Rican Composer Luis Diego Herra and His Symphony I An Annotated Edition, Norman Armando Gamboa

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A Conductor’s Analysis of Almeida Prado’s Passion of Our Lord Jesus Christ According to Saint Mark, Cléusia Carreira Gonçalves

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Bratya, A Symphonic Poem, Tamyka Rochelle Jordon

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The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014, Ashley Kelly

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Alexander Moyzes and His Piano Sonata in the Context of Slovak Music Between the Wars, Ivan Koska

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Homenaje a García Lorca, A Conductor’s Approach, Alejandro Artemio Larumbe Martínez

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Concerto for Violoncello and Orchestra, Xing Li

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Thomas Davis, The Nation, and Songs of Irish Nationalism, Timothy Mason Love

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The Journeys of Humboldt: A Guide to Efrain Oscher’s Composition for Orchestra, Bernardo Virgilio Miethe

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Olivier Messiaen's Influence in the Violoncello Works of Toru Takemitsu, Susannah Violet Montandon

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A Model of the Tonal-Chromatic System and Its Application to Selected Works of Gustav Mahler, Andrew David Nicolette

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Symphony No. 1, William Earl Novak

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Southeast Asian Youth Chamber Orchestra (SEAYCO): A Musical Bridge within the Southeast Asian Region, Paraschos Paraschoudis

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For the Sake of St. Cecilia: Analysis and Re-Orchestration of Gerald Finzi's For St. Cecilia, Op. 30, Christopher Brent Rosborough

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Musical Explorations in Creation and Performance: A School's Alternative Approach to Music Education, LaTerence Edward Varnado

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A Performer's Guide to Richard Danielpour's A Woman's Life, Carline Waugh

Theses/Dissertations from 2014

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The Good Friday Cantatas of Christoph Graupner (1683-1760), Marius Bahnean

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A Performance Guide to "Five Musings on the Past" by Elisenda Fábregas for Soprano and Piano, Megan Elizabeth Barrera

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"Music Down in My Soul:" Achieving a Sound Ideal for Moses Hogan Spirituals, Loneka Wilkinson Battiste

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Conducting Elgar's Wand of Youth suites : programming possibilities and perspectives on performance, Vaughn Aristides Cardona

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Symphony No. 1: On the Creation and Chromaticism and Harmony in Henry Purcell's Sacred Music, Joshua Adam Carver

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Roque Cordero Soliloquio No. 6 and Sonata for Cello and Piano: Structure and Analysis, Isaac Miguel Casal R.

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The Life and Work of Mark Jacobi: Clarinet Repair in Philadelphia and the Influence of Hans Moennig, John Anthony Coppa

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Bells in tower at evening toll : a performer's guide to the songs of David P. Rossow on the texts of William Shakespeare and A. E. Housman for baritone voice and piano, Matthew Joseph Daniels

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Wolf's Spanisches Liederbuch: The Story of Redemption, Michael Stanley Durham, Jr.

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An introduction to the piano music of Manuel M. Ponce, Luis Francisco Gaytan

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Human Perception of Piano Timbre Variations Relative to the Piano's Dynamic Range, Pitagoras Goncalves

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Tonal and topical coherence in Brahms's op.10 ballades, Jacob Joel Gran

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Music, action, and narrative in film : an energetic and gestural approach to film score analysis, Zachary Hazelwood

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Concerto for Laptop Ensemble and Orchestra: The Ship of Theseus and Problems of Performance for Electronics With Orchestra: Taxonomy and Nomenclature, Jonathan Corey Knoll

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Supporting your instrument in a body-friendly manner : a comparative approach, Emanuela Maria Lacraru

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Fantini and Frescobaldi in Rome, Circa 1634: A Study of Context and Practice, Shelby Allen Lewis

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Joseph Joachim Raff: A Biographical Sketch and a Conductor's Analysis of his Sinfonietta, Op. 188, James Fuller Lyon IV

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A Performance Guide To Jake Heggie's From 'The Book of Nightmares', Kristen Bauer Marchiafava

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A Great Korean Music Pioneer Min-Chong Park: A Performance Guide of His Selected Violin Works, Sin Myung Min

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You are set free, Jennifer Leigh Mitchell

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The magic nesting doll, Michael Paul Mitchell

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A historical and theoretical look at the percussion ensemble work 'October Mountain' by Alan Hovhaness, Joe Willie Moore III

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Audio-Based Visualization of Expressive Body Movements in Music Performance: An Evaluation of Methodology in Three Electroacoustic Compositions, Yeamin Oh

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A Forgotten Composer and His Music: Two Viola Compositions by Arends, Monica Pamela Rodriguez de la Hoz

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Analysis and expressive performance : four selected works by Chopin, Timothy David Saeed

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Alberto Ginastera's Twelve American Preludes : descriptive analysis and performer's guide, Alejandra Saez

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A Perfomance Guide to Anthony Brandt's Creeley Songs, Penny Reid Shumate

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The World of Tan Dun: The Central Importance of Eight Memories in Watercolor, Op. 1, Lin Tian

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An analysis of "Printemps d'amour" (op.40) and "L'Union" (op,48): two programmatic piano solos by Louis Moreau Gottschalk, Sam Vaden

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Poised between two worlds : Nikolai Kapustin's Piano Sonata No. 1 and the classical and jazz tradition, Kit Loong Yee

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Clarinet Thumb-rest Function: The Pedagogy of Positioning and Electromyography Evidence, Kathryn Elise Young

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A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory, Rafal Zyskowski

Theses/Dissertations from 2013

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Toward a redefinition of musical learning in the saxophone studios of Argentina, Mauricio Gabriel Aguero

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Interactive Musical Partner: A System for Human/Computer Duo Improvisations, Jeffrey Vernon Albert

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"Cinematic Suite for Orchestra" and notable composers in the evolution of film music from Hollywood's golden age to the present, Edward C. Anderson

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Musical achievement and attitude of beginning piano students in a synchronous videoconferencing lesson environment, Rebecca Carter Bellelo

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"It's easier if you have a system" : analysis and applications of the Milanov violin method, Paula Farias Bujes

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The musical life of Carmen Petra-Basacopol and her various contributions to the harp literature, Gabriela Chihaescu

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Sicong Ma's Amei Suite & Gaoshan Suite : historical background and performer's guide, Ming-Ying Chiu

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When the mouse meets the elephant : a manual for string bass players with application of the philosophy and principles of the F. M. Alexander Technique, Yun-Chieh Chou

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Tyzen Hsiao's Memories of Home as a pedagogical tool to introduce Romantic and Impressionistic styles to intermediate piano students, Pei-Hsuan Chung

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Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony, David Paul Cortello

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An original composition, "...And It Was Good For Orchestra" and a new century, a new audience : concert music's evolution into pop and the music producer as maestro, Matthew David Evancho

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Explicit Instruction in Self-Regulatory Skills and Deliberate Practice, Kimberly Joy Gedde

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Peter Klatzow's Six Concert Etudes for Marimba : a performer's guide, Daniel Brian Heagney

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Harmony, voice leading, and drama in three Sondheim musicals, Adam M. Hudlow

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Walter Burle Marx's cello concerto, Pedro Augusto Huff

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A performance guide to Jean-Yves Malmasson's Opus 6 : Trois poémes de Charles Baudelaire and Opus 30: Les fleurs du désir, Zuly Elizabeth Inirio

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Songs without words : the forgotten piano works on Nadine Dana Suesse, Sarah Jane Johnson

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Moonlight Sprite, Sungho Kim

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Practical performance considerations for the Andante con moto of Beethoven's Piano Concerto in G Major, Op. 58, Young Eun Kim

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Investigating "experimentalism" : a case study of the tuba and its repertoire, Andrew Brian Larson