Identifier

etd-04072014-175943

Degree

Master of Fine Arts (MFA)

Department

Art

Document Type

Thesis

Abstract

Architecture has many different contexts and meanings, but regardless of time and place, buildings act as a physical container of memory. This body of work explores the use of large facades as residue of a personal memory and uses physical deterioration to parallel the distortion of memory as a result of time and emotion. The work makes use of warping and tearing of materials and is created through the combination of large-scale relief prints, drawing, sewing, and the cutting away of materials. The exhibition includes an installation of fabric-based prints, a series of wall-based altered paper prints, and several artist books. The resulting series of works reminds the viewer of places of retreat and privacy while also sharing personal emotions, creating a visual collection of echoes and artifacts of memory and experience.

Date

2014

Document Availability at the Time of Submission

Release the entire work immediately for access worldwide.

Committee Chair

Koptcho, Leslie

DOI

10.31390/gradschool_theses.569

Included in

Fine Arts Commons

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