Identifier

etd-05242009-173947

Degree

Master of Fine Arts (MFA)

Department

Art

Document Type

Thesis

Abstract

This thesis examines the crossroads between printmaking and digital technology as our culture shifts towards a more digital media focused existence. As technology shifts art-making more and more away from the analog creation process towards a more digitally mediated one, printmaking’s history stands out among other traditional mediums as well suited to embrace the transition whole-heartedly. By using the analogies of the matrix, the map, and the building, this body of work creates a bridge from the historical and time-tested approaches of printmaking towards the future of the art form; a chimera of technology and tradition.

Date

2009

Document Availability at the Time of Submission

Release the entire work immediately for access worldwide.

Committee Chair

Kimberly Arp

DOI

10.31390/gradschool_theses.2059

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Included in

Fine Arts Commons

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