Date of Award

2001

Document Type

Dissertation

Degree Name

Doctor of Musical Arts (DMA)

Department

Music

First Advisor

Griffin M. Campbell

Second Advisor

David H. Smyth

Abstract

William Albright's Sonata for Alto Saxophone and Piano amply demonstrates the stylistic eclecticism for which he is famous. The four movements exhibit distinct characters and musical languages, including references to compositional practices of the past, as in the two-part invention of the first movement and the follia of the second, and allusions to American popular music, as in the bebop sections of the finale. This polystylistic compositional approach also invites a variety of analytical techniques, including investigation into form, motivic development, register, texture, and pitch usage. This study, the first of its kind on Albright's sonata, examines these characteristics in each movement and across the entire work, and offers suggestions for the performers based on the analysis.

ISBN

9780493329925

Pages

74

DOI

10.31390/gradschool_disstheses.368

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